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Mike graduated from giving
special effects in movies like Razia Sultan
to documentaries. “India was not ready for
the kinds of special effects I was giving. I
brought the crew from overseas,” he says. “I
was always a student of serious and
authentic cinema but Indian films at that
time didn’t gel with reality.”
His films like, The Shores of
Silence and Vanishing Giants has brought
revolutionary changes in the Red Data book.
He is a filmmaker by birth and a
conservationist by conscience.
“I was always a dreamer and a filmmaker.
I’ve been brought up with artists like
Akirakurosava, Gurudutt, and Fadrico Fellini.
Film making is like a holiday,” says Mike.
“It is very satisfying to know that a
species has found protection through my
films. I am doing my duty as a human being.”
During a one to one interview with Mike at
his Riverbanks studio I got a chance to see
one of his films, “The living fossil: Indian
horseshoe Crab’. It was a tryst with
synergism between hard facts and fine
technology. His films are not the usual
colourless subjects. There are a lot of
graphics and inspiring visuals.
As Mike puts it, “Art of
communication is a skill and what leaves an
impact on the audience is the technique of
presentation.”
His
films are interactive, simple, research
based and conclusive. “I am not a person of
films like Sindabad goes to New York. Cinema
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